Monday, March 14, 2011

Mania

There's a lot of stuff going on in the studio right now. Everything from birch bark to collaborative work to oil paintings. The past month or so has allowed a generous liberation of previously tied down energy. This past week especially has been very fruitful.

It is good!

It is good except for this annoying blood blister that I gave myself while clumsily assembling stretcher bars:


UGH


Nice place to go swimming :)


I wonder if there's a jelly fish hiding down there...


Oooommmm


Lavender of course


Phil on top, me on the bottom


Phil vs. Me


Drawing of me done by Phil


Myself 3 times


Crazy hair inspired by Phil's initial drawing


Birch bark from Walden Pond finding it's new tentative home


Walden birch bark painting in process


Some oils in process


Oil in process


Dark cathartic ugly schizoid self portrait

Sunday, March 13, 2011

The Most Beautiful Dream


Not all of my dreams are nightmares about Black Swan or interactions confused with real life. Sometimes they are of a beautiful jelly fish swimming peacefully in a deep night's sea.



Sunday, March 6, 2011

Tuesday, March 1, 2011

Some Winter Scenes


Raw pigment on birch bark from Walden Pond
Inspired by my friend Phil :)

I've been struggling with this one for more than a month now...I don't know....

Saturday, February 26, 2011

Wednesday, February 23, 2011

de la poésie

I have not posted any poetry in a long time. I am not sure why. I guess I thought that it was all too dark or not any good. Here are two from the past few weeks. Routine experience has been interrupted for the time being, causing fruitful days.

2/7/11

You're just a painting now
A song humming in my head
Effervescent

I feel less alone now
Than when I felt you in your bed
Lying still

The magic that I sense
Flies past your lids
Unnoticed

My eyes look out
They are a light house
Waiting

2/22/11
Now it's an ordinary day
of ordinary energy
with all the excitement and quiet
that one normally contains

I don't know other worlds
Not today

Can this be the slow building
of something beautiful?
Is it a serious, monastic
devotion to glazing?
Will this whole result,
one day, gracefully bloom?

When will it snap?
Must it not bend like a river
in order to be living?